News

WALL-TO-WALL ADVERTISING


This evening I was boarding the "S" (Grand Central to Time Square shuttle). Each one of the "S" car doors opened on a wall-to-wall, seat-to-seat world created from scenes of HBO's "DeadWood".

There were oh's, ahs, and even some people mentioned fear (a deadly character is laminated on the train door, did it help that the conductor was poking his head through the the same door.)

After the initial moment of 'hey what's this' and the many moments of waiting for the train I felt stifled, impatient with the train's delay (something I usually take in stride). I felt like deadwood.

Isn't this type of advertising a bit much and actually who does it serve. Bloomberg by the way raises subway fares on Thursday! (I think that's what I read rubbernecking someone's NY Post on the way to work this morning) The City still can't fiscally manage the subway with all the advertising revenue that The City earns through this and other visual schemes and future plans to sell off station names to advertisers (http://www.washingtonpost.com/wp-dyn/articles/A19454-2004Jul27.html).

More about this "Deadwood" "S" Train and past "Lord of the Ring" "S" Train reported February 15 see: Click to Open Web Page

0
Best Blogs of New York City Adholes
(vote closed)
(login to vote or comment.)
Thursday, March 10, 2005. 12:05AM by Caroline Pomietlarz
Only in New York can advertisers get away with become a feature attraction--bottles of Bombay Sapphire and 5th Avenue retailers, box office biggies and technological gurus become the sponsors and the models for new happenings that both New Yorkers and tourists flock to. It's fascinating how commercialism becomes entertainment and even, sometimes, art. (It's even funnier when art becomes commercialism.) I read an article in the Times recently about the installation that was to go up in Central Park. Blumberg finally let it happen after Guiliani shunned the idea throughout his term, the installation of the arches in Central Park. Have any of you seen it? There is a possibility of a brief stint in the city in the coming weeks, and that's certainly on my agenda. The 2 month installation is supposed to generated something along the lines of $31M for the city. This subway car is along the same path for me. To think that one can walk into an environmental advertisment now--a Disney World for HBO (as if Times Sq. isn't enough!); it brings up the question: How far will companies go to get the edge, to get the most notoriety, to generate the most revenue? It just goes to show us that billboards and magazine ads just aren't cutting it anymore, that we in the marketing and advertising fields have to stretch our creativity to the limits in order to capture our markets' eyes and hearts. I feel like--no matter what our opinions are--it has cracked open another level of opportunity for us to communicate with our client base. If the MTA is in on it, what other resources will follow?
Tuesday, March 8, 2005. 05:00PM by Matt Himelstein
I like the creative idea, but I'm still waiting for the City to put in striated wall ads in the subway, that appear animated as the train moves along and you watch out the window.
Tuesday, March 1, 2005. 08:11AM by Alexis Adauto Ferguson
Agree with Kim and you, Elise. Although I applaud HBO for making it an experience and taking full advantage of their captive audience (will bet that it'll be good for one or two more rides and then it will just fade into the background again) the city should get their hand slapped for not selling their media at a high enough rate to cover any fare raises (although I realize it is a very complicated matter than has no easy fix). But as Elise asks...where does it end? Where can we go where we can't be reached? That is just crazy coming from me, but maybe it's a responsibility question I pose?
Tuesday, March 1, 2005. 07:37AM by Kim S
Creative idea, I guarantee after the rates are raised, the city will take heat for not being able to get their books in the black, especially after this type of advertising onslaught. I've never seen this show, but to me the ultimate creative is one that consumers feel they are a part of, consumers are "party" to the advertising. Does the show reflect how you felt? Are you a fan of the show? Will you watch the show? Nothing like a surreal user experience...